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Amy Grant ~ Hats


Amy grant/chris eaton
Copyright © 1991 age to age music, inc. (ascap)/clouseau music ltd. (prs), adm. by reunion music group, inc.


The sun comes up
The breakfast show
Can't you see me running
It's crazy don't you know?
(don't you know? don't you know?)

The moon is high
I'm working through the night
Will somebody tell me
Where do all the hours go?
(i don't know.)

Well it don't stop
No, it's never gonna stop
Why do i have to wear so many things on my head?
Hats!

One day i'm a mother
One day i'm a lover
What am i supposed to do?
Hats!
Working for a livin'
(working for a livin')
All because i'm driven
(all because i'm driven)
To be the very best for you.

The water is hot
(so hot)
The phone don't stop
(hello, good-bye)
So how do i manage
To hold on to my sanity
(i don't know, baby, i don't know)

The red dress on
Time for having fun
(time for having fun)
But can i really be
The girl you see in me?

The spirit is willing
But the flesh is weak
Why do i have to wear so many things on my head?
Hats!

One day i'm a mother
(one day i'm a mother)
One day i'm a lover
(one day i'm a lover)
What am i supposed to do?
Hats!
Working for a livin'
(working for a livin')
All because i'm driven
(all because i'm driven)
To be the very best for you.

Hats!
One day i'm a mother
(one day i'm a mother)
One day i'm a lover
(one day i'm a lover)
What am i supposed to do?
Hats!
Working for a livin'
All because i'm driven
To be the very best for you.

This may be a dream come true
This may be poetry in motion
This may be a dream come true
But when it all come down
It's an awful lot to do.

Hats!
It don't stop
Why do i have to wear thing on my head?
Hats!

One day i'm a mother
(one day i'm a mother)
One day i'm a lover
(one day i'm a lover)
What am i supposed to do?
Hats!
Working for a livin'
(working for a livin')
All because i'm driven
(all because i'm driven)
To be the very best for you.
Hats!

One day i'm a mother
(one day i'm a mother)
One day i'm a lover
(one day i'm a lover)
What am i supposed to do?
Hats!
Working for a livin'
All because i'm driven
To be the very best,
Very best (nah, nah, nah).

Hats!
What am i supposed to do?
Hats!
Working for a livin'
(working for a livin')
All because i'm driven
(all because i'm driven)
To be the very best

It don't stop
No, it's never gonna stop
Why do i have to wear
Why to i have to wear
Hats!

One day i'm a mother
One day i'm a lover
What am i supposed to do?
Hats!
Working for a livin'
All because i'm driven
To be the very best for you.


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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