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Adam Ant ~ 1969 Again


Adam ant/marco pirroni/boz boorer Well hello matey What have you done for me lately? Yeah Are you paying my rent? Are you my best friend? You can't beat our meat So you better shut your pipehole Mister are you listening? To the bingy bingy bingy bingy bongy children Do you feel good? Do you feel the shame? Or is it 1969 again? Oh how you make me Wish i was a baby Yeah When you're playing miss swish Knickers on we're british You're my agony nanny With your big towel protection God made the little fishes And god he made the seven seas God makes us pay for our sins That's why he gave us The bingly bongly children more free lyrics

Adam ant/marco pirroni/boz boorer

Well hello matey
What have you done for me lately?
Yeah
Are you paying my rent?
Are you my best friend?
You can't beat our meat
So you better shut your pipehole

Mister are you listening?
To the bingy bingy bingy bingy bongy children
Do you feel good?
Do you feel the shame?
Or is it 1969 again?

Oh how you make me
Wish i was a baby
Yeah
When you're playing miss swish
Knickers on we're british
You're my agony nanny
With your big towel protection

God made the little fishes
And god he made the seven seas
God makes us pay for our sins
That's why he gave us
The bingly bongly children

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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